Gail Kubik (1914-1984) should really be remembered for writing the score to William Wyler’s 1955 noir The Desperate Hours, but Paramount decided that Kubik’s score was too modern and scrapped most of ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Immersive audio formats, while newer for pop, have been used by composers for decades. But not all works call for spatial treatment.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results