Under Mann’s direction, noisy offstage trolleys clang and rumble by on an erratic schedule (Mark Bennett’s sound), the air seems always very still, and the temperature duly enflames raw nerves. But ...
At the end of the play, a broken Blanche, the woman who represents the Old South, utters one of the most self-evident lines in Williams’ repertoire: “I’m anxious to get out of here — this place is a ...
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