Leonardo Da Vinci's portrait of La Gioconda, more familiarly known as the Mona Lisa has fascinated many writers, her famously inscrutable half-smile a powerful stimulus for imaginative interpretation, ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Amilcare Ponchielli's opera La Gioconda (no link whatsoever with the ...
Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. To paraphrase Bill Clinton’s 1992 election campaign message, “It’s the voices, stupid.” The expression seems made for ...
La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito (as Tobia Gorrio), based on Angelo, Tyrant of Padua, a play in prose by Victor Hugo, dating from ...
La Gioconda: singing this sublime nearly cures the most ‘problematic’ of operas Grange Park Opera’s new production of Ponchielli’s work features extraordinary vocals – but does the opera itself need ...
Creditable, if uneven attempt at one of the biggest challenges in Italian opera The grand passions and dastardly intrigue of La Gioconda have held the stage in Italy, and Grange Park Opera’s new ...
Performances in N.Y.C. Advertisement Supported by In a new staging at La Scala, “La Gioconda” will capture the full range of human emotion in a dreamlike Venice, with dashes of Kubrick and Fellini. By ...
La Gioconda is infrequently performed because of its complicated plot, demanding vocal requirements, giant choral forces, and complex staging. Pappano’s outstanding orchestral and vocal guidance, ...
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