Four decades after its debut at the Amon Carter Museum of American Art, Richard Avedon’s In the American West is back at the Fort Worth museum with a fresh perspective. Richard Avedon at the Carter, ...

FORT WORTH — True to the spirit of Amon Carter — who liked to proclaim Fort Worth as the city “where the West begins” — side-by-side exhibitions at his namesake museum explore the American West from ...

Richard Avedon discusses photography, his inspirations, and The Amon Carter's IN THE AMERICAN WEST. Richard Avedon talks to Patsy Swank for this May 1979 Swank in the Arts episode. In it, the ...

Frame: 61.5 x 49 x 2 in. (156.21 x 124.46 x 5.08 cm.) Signed and editioned '2/6' in ink and with the photographer's 'In the American West' stamp and a Richard Gray Gallery, Chicago, label on verso, ...

The centenary of Avedon’s birth inspired scores of exhibitions and cemented his place in art, fashion and celebrity canon. Richard Avedon planning his retrospective exhibition at New York’s ...

Richard Avedon's larger-than-life black-and-white photographs of solemn coal miners, slaughterhouse workers, drifters and even a teenager holding a gutted rattlesnake evoked strong reactions 20 years ...

Catalog of an exhibition held at the Amon Carter Museum, Sept. 14 - Nov. 17, 1985; the Corcoran Gallery of Art, Dec. 7, 1985 - Feb. 16, 1986; and later at five other museums. West (U.S.) ...

Why is this photograph important? Richard Avedon’s diptych Jesus Cervantes and Manuel Heredia, is offered at auction for the first time. The pair look like twins, despite looking nothing like each ...

Richard Avedon took this portrait of Oklahoma oilfield worker Red Owens in 1980 for his groundbreaking exhibition “In the American West,” a show of portraits of mostly working-class people across the ...