You’ve likely already felt the digital sting of “surveillance pricing.” It might look like an airline advertising a specific fare bundle because a customer’s loyalty-program data suggests they’re ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Audiences are packing the theater for a new “Tristan und Isolde.” Everyone can see the same spectacle, but they probably don’t hear ...
When Jared Hewitt’s co-worker claimed last winter that Hewitt used AI to write an incident report, she did it publicly. “And I work at a day care, so she was berating me in front of children,” he says ...
On the topic of “Tristan und Isolde,” Richard Wagner once said, “Only mediocre performances can save me! Thoroughly good ones would drive people insane.” Fortunately for the body politic, perfect ...
Richard Wagner was a difficult person, to put it lightly—an infamous anti-Semite and world-historical egoist known for displaying ingratitude and duplicity toward lovers, friends, and benefactors ...
Performances in N.Y.C. The creators of a new “Tristan und Isolde” production explain the influences behind every element of a crucial scene. One scene near the end of Act I of “Tristan und Isolde” at ...
NEW YORK — When Lise Davidsen finished her last performance in Beethoven’s “Fidelio” at the Metropolitan Opera a year ago, she flew home to Norway to await the birth of twins, enjoy a six-month ...
People who care about opera can’t stop talking about the baby, or “that damned baby” as a disgruntled patron put it on the way out of the Metropolitan Opera last week. It’s a directorial conceit in a ...
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