Writer-director Anthony Schatteman’s film about a blossoming romance between two Belgian teenage boys has few surprises, but there’s something to admire in its relentless positivity.

Among a number of post-war British films testing the stereotypically wholesome depiction of mothers and daughters, The Woman in the Hall features Jean Simmons playing a young woman who is driven to ...

Mike Flanagan’s latest Stephen King adaptation eschews horror for a life-affirming take on the end of the world. Stars Tom Hiddleston and Chiwetel Ejiofor spoke to us about their favourite King ...

This week we go back in time to the 1950s and 60s to explore the Archive's pioneering past and look ahead to Heritage Open Day.

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

Using a DV camera and successive iPhones, Mapplebeck threads together 20 years of her and her son’s lives with humour, warmth and honesty.

The BFI Filmography project ran from 2012 to 2017, with these main aims: identify all film works that meet the inclusion criteria – British, feature-length, released in cinemas catalogue those works ...

British Film Institute We are a cultural charity, a National Lottery funding distributor, and the UK’s lead organisation for film and the moving image.

Becoming one of the iconic faces of the swinging 60s, Stamp worked with Fellini, Pasolini and Ken Loach and was branded “the most beautiful man in the world” before leaving the limelight altogether.