Back in the 18th century, it was the infamous castrati who ruled the theatrical stages of Europe.

Tennessee Williams’s darkly operatic one-act play becomes a proper opera in a new adaptation by the composer Courtney Bryan.

The shapeless, dumbed-down mishmash at the Citizens Opera House is not. “The Great Gatsby” occupies a not-terribly-crowded ...

In 1900, strange noises at the Wysor Grand Opera House prompted an investigation by police. Stagehands believed the haunting was caused by the ghost of a former employee, James Linville. The Wysor ...

My focus on growth in opera has directly fed into my development as a cybersecurity practitioner. The connection is quite ...

In Madrid, where Ruciński is performing Count di Luna in Giuseppe Verdi's "Il Trovatore" in Francisco Negrin's production, ...

When dusk settles, a child’s mind can become a labyrinth of sounds. Ellis and the Night Orchestra turns that night into a ...

Do you hear the robots sing? Good luck getting Big Tech to ask the hard questions about art By Emily MacGregor Artificial intelligence and opera – strange bedfellows, no? One’s mascot is the tech bro, ...

Who saw Carly and Valentin coming? Not me, and I’ve been watching GH since 1979 (and writing about it since 1992). He started out hiding in her attic as a fugitive and s-l-o-w-l-y progressed to ...

Most productions of operas lead with the composer's name and ignore the writer. It's Puccini's "La Boheme" or Verdi's "La Traviata." But a new opera, "Complications In Sue," which opens tonight in ...