In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that ...
Summer Kim Lee and TJ Shin. Summer Kim Lee is an assistant professor of English at University of California, Los Angeles. Her first book, Spoiled: Asian American Hostility and the ...
Akhavan has often used the garden as a structuring principle in his work, as an artificial ecology that provides both a performative logic and helps choreograph how audiences move through an ...
I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...
During the reign of Benito Mussolini, an enormous carved relief of the dictator’s head loomed over the streets of Rome, his downcast gaze surveilling the Italian public night and day. The oversize, ...
Historical hypocrisies are thus made into moments of sincere personal shortcomings rather than situated as forms of systemic oppression essential to the construction of the world’s most merciless ...
The materiality of images—how they can seem textured, the way each frame is composed, whether they were shot digitally or on 16mm—compels us to experience the kind of dualities that define our lived ...
I first saw Martin Wong’s prison paintings when I visited a two-person exhibition of Wong and the contemporary painter Aaron Gilbert at PPOW Gallery in 2021. Five of them were included in the show. I ...
Tilt your ear to a Jack Whitten painting and you might hear music. “You gotta be able to think like John Coltrane to do what I am doing in painting,” the artist said in the final decade of his life.
When I used the term “Muslim body” in my curatorial note* for an exhibition in New Delhi last year, I did not anticipate the extent to which it would draw institutional ire. I had used it as an ...
A soft, warm light morphs into a shadow of a woman’s braided hair on the back of her neck. There is the sound of faint footsteps as she moves around her flat, shifting objects in the kitchen, the ...
I sat in the last row of the bus, watching the scenery dissolve into dusk, each passing moment echoing the temporal experience I’d just had in Marlon Kroll’s exhibition Cold Open at Unit 17, a small, ...
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